Supreme Court’s nod hasn’t silenced critics of ‘Yadav Ji Ki Love Story’. In Moradabad, Bharatiya Kisan Union (Mulayam) staged a vocal protest, calling for ban and hinting at capital escalation.
Crowds surged onto roads, voicing ire through chants and a formal submission to authorities. The core grievance: film’s depiction mocks Yadav ethos, stirring emotional wounds and societal strain. ‘Protect our community’s image—act before it’s too late,’ urged spokespersons, eyes on Jantar Mantar if unmet.
The event unfolded with fervor, placards decrying cultural insensitivity. It follows the apex court’s rejection of restraint pleas, deeming the title innocuous and unsubstantiated by fears alone. Justices drew lines from cases like ‘Ghooskhore Pandit’, upholding expression rights.
Friday’s release looms large, polarizing opinions. Producers tout it as harmless fun, while agitators mobilize networks. Local officials navigate the tightrope, weighing law against public pulse.
This flare-up mirrors perennial cinema-society tussles in India, where reels reflect and ignite divides. As protests echo, the film enters a high-stakes arena—will it charm audiences or court chaos?