Badshah’s ‘Tatihri’ has hit a sour note, plunging the Punjabi star into controversy just days after its March 1 debut. Accused of crude lyrics targeting girls, the song prompted the Haryana State Women’s Commission to summon the artist for a detailed explanation.
The visuals show females in government school outfits performing Haryana folk dances while discarding book-laden bags—a metaphor gone awry, say critics. Objectionable terms for local girls have fueled widespread condemnation, with the commission citing damage to the state’s reputation.
Joining the fray, the Akhil Bhartiya Saharan Khap urged CM Nayab Singh Saini to intervene, decrying the ‘immoral’ language as a threat to youth. Rohtak lawyer Rajnarayan Panghal escalated matters with a complaint to the Ministry of Women and Child Development.
Not new to scandals, Badshah weathered storms over ‘Genda Phool’s uncredited inspirations. His team has yet to comment, but the official notice compels a personal appearance. This brewing conflict probes deeper issues of gender portrayal in regional music.
‘Tatihri’ tests the limits of musical expression against cultural guardians’ resolve. With Haryana’s pride at stake, the outcome could set precedents for future releases, balancing innovation with inclusivity.