The man who brought Shri Krishna to life on screen, Saurabh Jain, is furious. ‘Dhikkar hai’ – a scathing rebuke – sums up his reaction to the savage attacks on Hindus unfolding in Bangladesh, drawing sharp focus to a brewing international scandal.
Chaos reigns as Islamist groups exploit power vacuums to pillage Hindu assets. Temples lie in ruins, women face harassment, and children witness horrors unfit for any age. Jain’s post, laced with emotion, details the human cost: shattered lives amid political gamesmanship.
Leveraging his stardom, the actor has ignited online campaigns, petitions circling for India’s diplomatic muscle. ‘Our government must step in,’ he implored, tagging officials. Solidarity swells from Bollywood peers to diaspora networks.
Contextually, Bangladesh’s Hindus have dwindled from 22% post-partition to under 10% today, emigration fueled by perennial threats. Jain spotlights this demographic decline as a cautionary tale.
Ultimately, Saurabh Jain transforms personal outrage into collective action. His ‘Dhikkar hai’ isn’t mere rhetoric; it’s a spark for change, urging the world to confront intolerance head-on before it’s too late.